The Cambridge Companion to Jewish Music (Cambridge Companions to Music) by Unknown

The Cambridge Companion to Jewish Music (Cambridge Companions to Music) by Unknown

Author:Unknown
Language: eng
Format: epub
Publisher: Cambridge University Press
Published: 2015-11-30T02:00:00+00:00


But Modena goes even further in his defense. He argues that if Jews are imitating the music of Christians, it is only to reclaim their own lost heritage. Modena is using here a classic Renaissance argument. Restoring the glorious culture of antiquity was at the heart of the Italian Renaissance. The Florentines who invented opera claimed that they were reviving the art of ancient Greek theater. Modena claimed that Rossi was actually reviving the musical practice of the ancient Temple in Jerusalem, “restoring the crown of music to its original state as in the days of the Levites on their platforms.”22 Modena asserted that the music of Christian churches was derived from the practice of the Levitical choir and orchestra in the ancient Temple in Jerusalem. He quotes Immanuel of Rome, who wrote that Christian music “was stolen from the land of the Hebrews.”23 Therefore, he and Rossi were merely reclaiming the lost heritage of the ancient Israelites.24

Modena indulges in hyperbolic praise in his description of the culture of ancient Israel:

For wise men in all fields of learning flourished in Israel in former times. All noble sciences sprang from them; therefore the nations honored them and held them in high esteem so that they soared as if on eagles’ wings. Music was not lacking among these sciences; they possessed it in all its perfection and others learned it from them. However, when it became their lot to dwell among strangers and to wander to distant lands where they were dispersed among alien peoples, these vicissitudes caused them to forget all their knowledge and to be devoid of all wisdom.25



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